Rating: 3/5 stars

Lady Gaga’s new album “Harlequin,” a companion to her latest film, “Joker: Folie à Deux” is a melting pot of classical theater and jazz standards with funk and soft pop.

The spirit of the late great Judy Garland must have possessed Gaga during the first two tracks as she revived the iconic Garland song “Good Morning” (although most associated with “Singin’ In The Rain,” was written in 1939 for Garland’s film “Babes in Arms”) and “Get Happy,” which is commonly remembered as an iconic hit for the late performer in her film “Summer Stock.” Gaga’s vocals fit perfectly with the pieces, given the exceptions of alterations made to fit with storylines and themes seen in “Joker: Folie à Deux.” 

All of the album’s tracks follow a similar style, having lyrics altered from their original format to fit with the arc of her character, Harleen “Lee” Quinzel. The chaotic energy is harnessed by Gaga’s powerful vocals as she glides from one song to the next. “Oh, When the Saints” is the first piece that introduces an element of funk with energetic basslines and jazz deviations while also channeling a more pop-sounding voice on the singer’s behalf. The album’s rendition of the jazz standard is a jarring departure from its predecessors by amping up the excitement and over-the-top accompaniment. This only continues throughout as Gaga flirts with melodies and lyrics of old, taking listeners into the world of Harleen Quinzel– a character who has, and always will be deeply disturbed, growing as her relationship with the Joker deepens.

The two original songs on the album come as tracks toward the end. Out of the two, “Happy Mistake,” track no.12 is a delicate piece that beautifully showcases the talent of Lady Gaga. The song is a stark contrast to the primary musical focuses seen in the other larger-than-life tunes. While excellently composed and performed, “Happy Mistake” feels awkwardly placed in the album. With the exception of the first two tracks, almost all of the album feels awkward in their places. The rapid deviations from piece to piece is rough on the ears and any music-lover’s soul, but makes sense for Gaga’s goal of capturing her interpretation of the infamous villain. 

“Harlequin” on its own is a good album that fits right in with previous jazz albums released by Lady Gaga. However, the context of the album is necessary when listening because of the added nods to “Joker: Folie à Deux” and the overall exploration of Harleen Quinzel’s life. However, what is lacking in flow, Gaga makes up with her stunning voice and spectacular arrangements of beloved classics. The album also helps to bring new life to these songs for younger audiences, giving the opportunity to expand the appreciation of standard classics into a primarily electronic-based music world.

Image from Lady Gaga via Youtube