By Connor LaLone

Since its founding in 2008, Wolves At The Gate (“VxV”) carved out a niche as a heavily Christian metal band. The group’s heavy post-hardcore musical themes are often in stark contrast with its lyrics, creating an interesting and enjoyable dichotomy. Heavy electric guitars that mirror uptempo drums often are accompanied by intense “unclean” vocals, a staple of the metal genre. The group has released three singles from an upcoming album, titled “Eulogies,” which is set to release on March 11. 

“Peace That Starts the War” begins in a similar manner to tracks like “Relief” and “Step Out to the Water,” from “VxV” and “Captors,” respectively. Slightly hushed vocals from Steve Cobucci reference the struggle between the Devil and God. These lyrics discuss the concept of redemption and the sacrifice Jesus made for those who believe in Him: “No one can condemn me for a debt or crime that has been paid off, nothing divides or separates.” In several ways, “Peace That Starts the War” feels incredibly similar to past songs, both from a lyrical standpoint and in terms of musical composition, and is a great exhibition of the band’s unique sound. 

Perhaps the best of the songs to be released from “Eulogies” to this point, “Lights and Fire” is a tidy combination of the post-hardcore and metal tones that have defined Wolves at The Gate since their formation. Lyrically, it deals with the concept of surrender, letting everything go and placing trust in God. Cobucci showcases his vocal talents, sustaining notes in the upper limits of his range with a controlled and consistent tone, expertly restraining raw emotion. “Lights and Fire” is upbeat with more of a pop feel than essentially anything the band has released to this point, but retains the abrasive edge one would expect from the group. 

“Shadows” is the opening track from the yet to be released album, and is the heaviest of the singles released to this point. The track heavily features Nick Detty’s “unclean” vocals. Detty’s ability to scream with such intent and control while maintaining energy throughout an entire track is impressive to say the very least, and “Shadows” successfully blends his verses with choruses from Cobucci. Abishai Collingsworth’s drumming ability is expertly showcased throughout, with trademark heavy metal drum fills and intense bass. While likely an acquired taste, there can be little doubt that Wolves At The Gate possess supreme musical talent and are skilled songwriters. 

With the release of “Eulogies” in the near future, the dedicated Wolves At The Gate fanbase has reason to believe that they will receive a diverse and high quality album. The selections released thus far display the band’s ability to create first-rate music in several separate, if related, genres, showcasing each member’s unique musical talent. Steve Cobucci and Nick Detty combine their different vocal techniques to create an interesting contrast that is effective in nature. Collingsworth’s steady and technical drumming lays the groundwork for guitars from Cobucci and Joey Alarcon. If the remainder of “Eulogies” stays true to what has been released so far, Wolves At The Gate will reprise its role as the king of Christian hardcore music.

Image from Solid State Records via YouTube