By Jade Gatling

Based on the novel Munich by Robert Harris, “Munich – The Edge of War” is a complex thriller with elements of realism. The suspenseful and heavy imagery displays a side of World War II that is not often discussed.

The intriguing use of cinematography, dialogue and music blend well to create an atmosphere that puts the viewer in the time period.

The cinematography is captivating and drives the message of the movie. Many shots are in a dark monotone color. This color palette reveals the serious and dark undertones of the character’s conversations and desires.

To emphasize the excellent use of color in one scene, Hugh (George Mackay, “Peter Pan”) is sitting with his coworkers at a dinner table, revealing the information they have on Hitler (Ulrich Matthes,“ Downfall”). The lighting is limited, which shows the shadows of the characters and the plates on the table. Each person is dressed in a black suit and looks slightly uncomfortable and anxious. 

The ominous environment established adds to the suspense and anxiety of the scene as they surround Hitler, who is unconsciously present. 

In most scenes, the camera is moved as if it’s the point of view of the actor. As an intense scene happens in the movie, the camera will move abruptly, which demonstrates the intensity of the character’s emotions. These actions add a relatable charm to the film; it feels like the viewer is running with Hugh.

The quiet and subtle use of music works well with the actors’ performances. A particular song plays during the end of the film as Hugh walks down the street. The music seems to work well in adding more information to each scene. It often plays as a character is talking. This is a stylistic choice because it subtly tells the viewer the unconscious thoughts and motivations of each character.

The repeated song is titled “You Dream” by Tara Nome Doyle (“Down With You”). The poignant use of the violin and Doyle’s haunting vocals creates a feeling of dread. Towards the end of the song, the violin mellows out quickly, revealing an important detail to the audience. We know what is about to happen: the beginning of World War II.

 The long speeches and conversations of the characters are very off putting at first. However, the dialogue works well alongside the music and camerawork. The emotions of the actors help the viewer emphasize the events in the film.

As Hugh assists British Prime Minister Chamberlain (Jeremy Irons, “The Lion King”) in preventing World War II, Hugh’s friend tries to hide that he is a part of a secret resistance group with Hitler. Hugh and Chamberlin must work together to prevent the world from erupting into chaos.

The character dynamic of Hugh and Chamberlain results in some interesting conversations between the two men. They have to work together and get rid of their ideas. The conflict is hard to watch at some points, but Hugh and Chamberlain compromise and find a solution to the issue.

It is easier for the viewer to become involved in the story because we know someone similar to Hugh. At a time in our lives, we were Hugh. His determination and drive, along with Mackay’s performance, make Hugh a realistic character in the film.

Hugh is dedicated to his mission of preventing destruction; this causes him to disregard other people and their desires. His focus on himself can be perceived as a character flaw, which makes him feel like a real person.

Image from Netflix via YouTube