The second film in the Marvel Cinematic Universe’s (MCU) “Phase Four,” “Shang-Chi and the Legend of the Ten Rings” commences the franchise’s post-Infinity Saga run on a positive note by introducing its newest Avenger. Boasting a strong cast of characters, beautifully-choreographed fight sequences and much-needed Asian representation, the film breathes new life into the MCU, while also showing new possibilities for superhero films as a whole.  

Following the events of “Avengers: Endgame,” the film follows the titular Shang-Chi (Simu Liu, “Blood and Water”) as he is drawn back into the world of his villainous father, Wenwu (Tony Leung, “Hero”), and the evil Ten Rings organization. Awkwafina (“Raya and the Last Dragon”) stars as Shang’s best friend, Katy, and Meng’er Zhang makes her film debut as Xialing, Shang’s estranged sister.

Though it may adhere to a formula similar to what has been featured in other MCU origin stories, “Shang-Chi” demonstrates a level of emotional depth which elevates it past most of these films. This is made apparent through the film’s themes of family and familial obligation, which are brought out through the well-realized conflict between father and son.  

“Shang-Chi’s” characterization is top notch, representing extremes of the “flawed hero” and “sympathetic villain” archetypes, which were previously unexplored in the MCU. Furthermore, it is leaps and bounds ahead of other Marvel films when it comes to establishing a relationship between the hero and villain. By providing a strong context to the inner-workings of Shang and Wenwus’ dynamic as father and son and its complicated nature, the film allows the audience to, at times, equally empathize with them. Audience empathy especially works in favor of Wenwu, whose layered character development, tragic motives and a stellar performance by Leung help place him among the best of the MCU’s villains.

The aspect of the film which deserves the most praise is its action sequences. From the engrossing, dance-like qualities of the fight choreography to the sometimes unorthodox nature of the environments and situations in which the action takes place, each scene feels memorable for its own distinct features. “Shang-Chi” also remedies a common MCU flaw by keeping its action sequences simple, rather than overstuffing them with rapid cuts and sensory overload.

Unsurprisingly, “Shang-Chi” uses digital effects to its advantage to develop awe-inducing creatures and scenery, as well as enhance its already stellar action sequences. However, there are moments throughout the film where smaller details were clearly given less attention than they should have, putting a slight damper on the surrounding visuals. Though these instances of lesser efforts are few and far between, those who notice them may be left with a slightly bitter taste.

Undoubtedly, the film gives people of Asian descent the representation they deserve, not only in the MCU, but in superhero films as a whole. By doing great justice to the cast, locations and culture which it honors, it provides a level of empowerment which puts it in a similarly important vein as “Black Panther.” 

While it may possess minor MCU tropes and flaws, “Shang-Chi” presents an abundance of excitement and innovation which opens many new doors for the franchise. One may only hope that Marvel studios will follow in the footsteps of this film and continue to transcend its formula in the future.

Image from YouTube